Ten years ago I was trying to find Sean Dunn, to have him rejoin the band. Then Hurricane Katrina hit.Sean was newly sober, and after the storm looked for his brother for three weeks. The Dunn family was from New Orleans and Five Eight was always deeply linked to the city, between late night parties with Kermit Ruffins eating red beans and rice to opening for Wilco at the Contemporary Arts Center. When I finally talked to Sean he still hadn’t found his brother and his mother was distraught. All of our friends in the music scene in New Orleans (Fred Leblanc, James Hall, Grant Curry) had also left the city. It was crushing to say the least.Fast forward to today and Sean and I are both sober, his brother (who was eventually located) also got sober and has remarried and started a new life. Sean and I write together, and when we do he brings the music and I add the lyrics. One particularly dark song he brought not long ago—a mournful Neil Young meets Led Zeppelin like tune—really moved me. Having no idea what the song was about yet, I kept singing the words “Ha Ha, what a sight to see.”

I ask him what the song was about, and he says it’s called “The Flood.” Instantly memories of Katrina “flooded” back to me. I remembered the phone call, with Sean still raw from Katrina and fighting a heroin addiction. I remember once figuring Sean and his brother were likely both dead, if not from the storm then from their addictions. I remember the city being gone —- like a punch in the stomach. I turned to Sean and said, ” Wow you really want to write about Katrina?”, and he’s says “I actually hadn’t even thought of that.”

I think that we deal with true human tragedy underneath in the soul, the subconscious, in our dreams. We suppress outward expression and keep everything in place with words and euphemisms like “flood”

We can tell stories but really we have to bend to life as it is. The lyrics in the song are from children who witnessed the destruction because they were stuck in the city. They noticed things at face value and much of what they saw is strangely free from a feeling of loss. The loss itself becomes the sublime joy of living through it.

I brought Patterson Hood in to sing with me on The Flood as a duet. I have never done anything like that before. I knew his voice would ring true—but I was thinking he would just sing back up. He came into the studio having never heard the song before and sang it like I wished I could.

So I just re-sang everything to his lead.

We are briefly releasing this track in its present, raw form as our tribute to the great city of New Orleans, as they remember their loss today on August 29th.


It’s the ten year anniversary
Of the long walk with my family
We crawled up where we should not go
Watching the brown water flow into
Ha ha I never thought of it
The water covered up the neighborhoodThe city was never as dark or as still
The stars glowed like a miracle
Lying on the hood of my daddy’s car
We heard the sounds of the helicoptersNever been no refugee
Never dreamt I’d ever see
The school’s gone and the library
The books float out to sea
Ha ha what a sight to see
They’ll be no more bully to bother me
He’s swept away with the old ferry
My best toys scatter in the breeze

This city was never as dark or as still
The stars glowed like a miracle
Lying on the hood of my daddy’s car
We heard the sounds of the helicopters


released 29 August 2015
Sean Dunn: Guitar
Patrick Ferguson: Drums
Patterson Hood: Vocals
Dan Horowitz: Bass
Mike Mantione: Guitar, Vocals
John Neff: Pedal Steel GuitarRecorded and Mixed at Espresso Machine by Mike Albanese
Mastered at Joel Hatstat Audio by Joel August Hatstat
Athens, GA August 2015

David writes,

Here’s where I was at the time……

I was working two sides of one career. On the one hand, I was playing bass in a touring band. On the other, I was a recording engineer. Every time I came home off the road, I might have a day or two before I would go into one of about a dozen or so studios in my Athens-Atlanta circuit in which I working as a free-lance engineer (John Keane’s, Bosstown, Rocketsound, Rock Central, etc) to record another band. I was working with mostly bands in Athens and Atlanta like Seersucker, Fiddlehead, Jack-O-Nuts, Slumberjack, Six String Fever, and Five Eight. Usually, it was make a record, maybe a day off, and then go back out on the road. I had a young family to support and money was not going to earn itself.

The time leading up to making Weirdo was pretty typical for me. In late May, I finished a tour, and went to Atlanta to make a La Brea Stompers record at Bosstown. The last night of tracking, I got home to Athens at 3AM. The next day I was in the car at 6AM to start beach vacation with my pregnant wife and our two tiny children. We got home and I left on a European tour. That took care of June. In July, I mixed the La Brea Stompers record at John Keane’s, which was my home base at the time. Our third baby was born July 30.

In August I started working on Weirdo.

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Hello fans. A lot of excitement around the band as we barrel through winter 2015. The re-release of Weirdo will begin happening in late February/early March; and we will be headed to SXSW and playing several shows in the Midwest and Southeast this spring. Check out the tour page on this site! Below is a primer on the Weirdo re-release as written by our manager Doug Rasmussen. Enjoy and see you at the shows!

–Mike, Dan, Sean, and Tigger

As the release of the Weirdo reissue approaches, the fan/manager in me wrote a few thoughts down I would like to share with y’all. Yes I am pumped and you should be too. Enjoy (Doug Rasmussen).

It wasn’t under the light of Endicott Johnson, but the light of the Capitol Dome in Downtown Madison Wisconsin on April 30 1994 that shone with its usual imposing hue through the fog and upon the unsuspecting patrons entering the music club known as The Chamber. My group of two arrived early to get a table and sit down with a pitcher of beer (remember those?), and to get ourselves primed for singer-songwriter Freedy Johnston who was touring on the heels of critical acclaim and was recording in Madison at Smart Studios.

20-years plus since that spring night in Madison and what can one say–the memory of a weirdo still burns as primal and omnipresent as it does today–so much so I remember the date and month of the show like it was my mother’s birthday. We came to see a pop-singer songwriter, we left having seen something just flat out fucking intense and unbelievable.

To us upper-Midwesterner college students at the time Athens GA meant riding in a Chrysler as big as a whale or losing our religion (two things as suburban children of the 70s/80s we had already done)—not losing our collective minds during a rock show. Who the hell was this angry man interrupting my idle table chatter by yelling at the top of his lungs for us to shut the f**k up and stop talking—and then screaming as he belted out lyrics about a phone call from the all night diner in his mind— standing on the stage, alone, in front of the mic, strumming his guitar, looking well–weird (and crazy). Uncomfortably obsessed (stunned?) we all watched with awe–sucked in like watching a car crash–and then we rocked–hard. I think we saw Freedy later (can’t really remember)–and then we immediately went back to our respective dorm room/flat/whatever in a daze and promptly bought the Weirdo album from B-Side records in downtown Madison the very next day.

Fast forward to 2015 and the same band is still going strong, with the same lineup that blew us away on that Weirdo tour, and re-releasing the record that made us all do a double take and look at this intense fiery rock band from Georgia some 20 years ago. What have we learned in 20-years? We have learned that great rock bands like Five Eight continually find a way to reinvent themselves, create new material and energy, and in so doing remain as relevant now (even more so in this era of overly ironic mustache indie hipster drudgery) as they were then. We have also learned that great rock bands and great records sometimes need to be heard again under a different light (not the capitol dome light), in a different era, a different time—to be reaffirmed and appreciated.

Remixed and remastered from the original tapes by Athens GA wizard/original producer David Barbe, the new Weirdo isn’t so much a look back as it is a look from the present and a look into the band’s future. While the members of Five Eight are in the late 40s and early 50s, their intensity live and creativity in songwriting is as strong as it ever was, and the remaster has done an excellent job of lifting Mike’s guitar/voice, Sean’s guitar, Tigger’s drums, and Dan’s bass enough out of the 1990’s fuzz of the original mix to provide a sense of sonic clarity that replicates the band’s current live sound and focused intense direction. Listening to the remix isn’t so much 1994—its actually more like 2014 or 2015—its an update—its 20 years of strength and longevity, of rocking one’s ass off until you drop, of never quitting, of getting better as musicians and as a band, of lifting the emotional needs and scars of the past, of nurturing the needs of long-time and future fans of one of the greatest pure live rock bands to ever grace the American club scene.

The songs are the same and there are some great reissues included that were inexplicably left off the original record (The Only One for example), but the songs are different too. The remixes are loaded with new energy, new passion, and a new sense of longing for what remains real (20-years later) about heartache, disaffection, emotional disconnectivity, suicidal tendencies, being hurt, and being a WEIRDO.

Is everybody ready to rock….?

-Doug Rasmussen

As we wind up the band’s 25th year we could not be more excited about the future. The Weirdo Remix will be released on Chicken Ranch Records (Austin TX) in 2015 featuring 5 previously un-released tracks and a mix that truly enhances and improves the sound of the original record. Look for it on vinyl and digitally.

We have also been working on our new record and the studio work is mostly complete and we could not be happier with the new material. Look for that in 2015 as well.

In the meantime check out the tour page for newly confirmed shows–with more coming. We will be making it to SXSW this year–and we are looking to add a Nashville TN show April 10th.

Thanks for your continued unwavering support and happy holidays to our fans!

–Mike, Dan, Tigger, Sean

Oct 13 2014

Studio and Stage

In the midst of all the excitement surrounding the Weirdo remix–we had to book some live shows. Why? The remixed record sounds like Five Eight live. And what better way to amp up the fans and finish the year strong than by blowing minds and having fun both in the studio and on the stage.

See you on the road 11/14 at the World Famous in Athens GA and 11/22 at the Atlantic in Gainesville FL.

–Mike, Dan, Tigger, Sean